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In the 1970s, Contempo Records released seven singles and an album, Sara Smile from Barnes, all without chart success. In the 1980s, he released five more records including a version of the Northern soul favorite by Frank Wilson, "Do I Love You ", and he recorded with producer Ian Levine in the 1990s. Barnes was a member of the Holidays, a trio which also included Edwin Starr and Steve Mancha. They had a #7 R&B hit in June 1966 with "I'll Love You Forever" (#43 in Canada). Barnes' biggest hit single came in 1967 with "Baby Please Come Back Home" on the Groovesville label, which, like many of his records, he co-wrote. The song reached No. 9 on the US Billboard R&B chart, and No. 25 in Canada.
Needs to review the security of your connection before proceeding. His song "Chains of Love", originally the B-side of his 1967 hit "Baby Please Come Back Home", achieved further renown when it was covered by the Dirtbombs on their Ultraglide in Black album in 2001. Please enable JavaScript to view the comments powered by Disqus.
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He became a favorite artist of the UK Northern soul scene, and performed frequently in the UK. Early recordings from Barnes, such as "Please Let Me In" and "Real Humdinger", were re-released in the UK on the Tamla Motown label to cater for the buyers of Northern soul records. The Art of Sampling is a music culture publication that's about everything within and related to the sampling tradition of hip hop/rap music. In addition to spotlighting the art of sampling and the implications that it holds for copyright law, we explore sampling’s core source material and foundational music forms, like soul, funk, and jazz. Genius is the ultimate source of music knowledge, created by scholars like you who share facts and insight about the songs and artists they love. Obits.pennlive.com needs to review the security of your connection before proceeding.
His early releases including "Just One More Time" and "Please Let Me In", on the record labels Mickay and Ric-Tic, had relatively little success, but were subsequently picked up as Northern soul favorites in the UK. He was later signed to Motown Records, where he contributed as a songwriter but did not have any recordings released as a singer. Some of his Motown material has subsequently been released on the A Cellarful of Motown! In the early ’60s, he released a number of singles on different labels. There were two singles that put him on a solid path to success, “Just One More Time,” released in 1963, on Mckay Records, and “Please Let Me In,” released in 1965, on Ric-Tic Records. These songs led to a brief stint at Motown as a singer and songwriter; however, none of his solo music was released.
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Then, in 1967, he recorded “Baby Please Come Back Home,” a soul track released on the Detroit-based label, Groovesville. This song reached #9 on the US Billboard R&B chart and it’s his most successful song to date. J.J.'s greatest hit cracked the R&B Top Ten in 1967 with a number nine showing. Some thought they were listening to Marvin Gaye when this passionate pleader broke on soul radio the summer of 1967 just in time for the outdoor roller skating rinks, where it reigned supreme. Its mercurial beat and pinging accents pushes Barnes and the female backing vocalists to excellence, with the vocalists instigating J.J.
However, subsequent singles on a variety of labels, including covers of "Black Ivory" on Today/Perception Records, failed to repeat the success. On the recommendation of his friend Edwin Starr, Barnes moved to England in the 1970s, becoming popular. Starr had arranged for Barnes to appear on a series of shows, which led to him signing a deal with Contempo Records.
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